2019 original fiction publications

Hello, readers! I haven’t been updating this blog, so consider this post a belated announcement of my 2019 publications.

I’m going to list them in reverse chronological order (most recent first!) but if you’re reading for awards season, I’m particularly pleased with “Three Tales the River Told” (bleak eco-SF) and “How to Break Causality and Write the Perfect Time Travel Story” (zany time travel), both of which are flash fiction.

“Music, Love, and Other Things that Damned Cat has Peed on”

punk rock future

Kimiko just wants to find love and make music, but her cat has other ideas. And then there’s that old book she unearths, the one with all the weird runes and descriptions of human sacrifice. It’s creepy, but pretty fucking punk.

Inspired by the true story of my cat, who went through a phase of peeing on damn near everything. (Reader, he did not like his litter box, apparently.) Contains broken bones, pseudo-Lovecraftiana, queer characters, and, well, what it says on the cover, really. Sorry-not-sorry.

Published in October 2019, in Zenon Publishing’s A Punk Rock Future, which has punk stories that range from fun to serious from a lot of brilliant authors. Erica Satifka! Sarah Pinsker! Maria Haskins! Spencer Ellsworth! Available on Indiebound, Amazon, and Barnes and Noble.

“Three Tales the River Told”

Siu Fan wants to be a star. But when she takes a contract that will get her new fans–and her sent to the environmentally hostile surface world to hike a dry riverbed–the experience will change far more than her follower count.

Published in August 2019, in Nature. Read it for free online, and follow it up with my guest post on the Future Conditional blog.

The title came first with this one. For that, I’m indebted to Vylar Kaftan, who runs an annual Title Rummage Sale contest on Codex Writers Group where you write a story from someone else’s title, and to Aimee Ogden, who provided the title itself.

“The Colours of Europa, the Colours of Home”

(CW: death of a child; parental grief)

When Yihan’s youngest daughter dies of antibiotic-resistant tuberculosis, she buries herself in her research, taking a position on Ling-Xian Station searching the Europan sea for exotic microbes that could be used in new kinds of antibiotic. But will her search for forgiveness–and her guilt at not being there–keep her away from her living daughter, left at home in her grandmother’s care?

Published in August 2019, in Little Blue Marble. Read it for free online or you can wait a bit and purchase the 2019 anthology.

“How to Break Causality and Write the Perfect Time Travel Story”

translunar travelers lounge

Jaunts through the Mesozoic, plots to assassinate H.G. Wells, questionable writing advice, splitting headaches, and the importance of a balanced breakfast. All this and more, just because you stole your future self’s time machine…  A cautionary tale of what happens when you sacrifice everything for your art and/or when you take advice too literally.  (Or something.)

Published in August 2019, in the inaugural issue of Translunar Travelers Lounge. Read it for free online or purchase a copy on Amazon and support this great new market!

Author and tireless reviewer Charles Payseur had some very kind things to say about this one:

I do appreciate that the story mixes these things that are rather ridiculous, almost joking, and mixes in some much more real moments. Angst and fear and uncertainty where the second person “you” of the story just wants so badly to be a writer, to be an Author……… It’s a surprisingly deep and complicated piece, given that it might be easy to read it solely as a joke.

“Things that are rather ridiculous” being mixed with “real moments” is very much on brand for at least half of my flash fiction, so give this one a read!

“Communications from the Honeymoon Suite”

five minutes at hotel stormcove

Dr. Laurie Vernederen will do just about anything to prove her theories and get tenure–including a jaunt back through time from Hotel Stormcove’s most luxurious suite. But of course, with time travel being time travel, there’s never a guarantee of being first…

The anthology this was published in, Five Minutes at Hotel Stormcove, required each story to take place over five minutes. Each of the five minutes in my story is represented by snippets of some kind of communication from a different century–starting in the 2160s and going all the way back to the 1700s. (Because time travel, of course.)

One of the neatest things about this one, to me, is that the publisher printed each of the story’s five sections in a different, era-appropriate font. So the 2005 instant messaging communication is in AOL-style Times New Roman, the newspaper clipping from the 1800s is presented in a newspaper-like font, and so on. 

Published in Five Minutes at Hotel Stormcove by Atthis Arts publishing. The anthology is a lot of fun, so go pick up a copy at the Atthis Arts web store!

Untitled Nopperabou Game

Bonus!  In late October, I wrote a piece of interactive fiction (IF) for Ectocomp, an annual IF competition with a spooky theme.

Because I’d been playing the marvelous Untitled Goose Game at the time, I wrote a parody of it set in 1800s Japan. So if that sounds like your jam, check out Untitled Nopperabou Game on itch.io for free.

(Also, because I realized I didn’t have one before, I added a page on this site which lists all my interactive fiction.)

One new short story, two new reprints

I’ve been bad about updating this blog lately. Sorry!

So what’s new?

First, the fiction!

My story “The City, Like Time” has been published in Kasma SF. It’s post-apocalyptic, and features creepy water ghosts, mysterious boxes, and betrayal. Go give it a read, and check out the glorious art by José Baetas!

On the reprint front:

My Gothic tale “The Mother of Sands,” which has appeared online at a few other places, is now out in print for the first time in an anthology from Old Sins publishing called Beyond Steampunk, which features steampunk-like stories set outside of the typical era and locales. My story is set in 19th century Latvia, and features all sorts of creepiness. If you like the stylings of Gothic literature, or if you like steampunk, go check out the anthology on Amazon or at Barnes and Noble’s web store. It’s available in print and e-book form.

My wacky SF flash fiction “How to Configure Your Quantum Disambiguator” has also been reprinted, this one in podcast form at the excellent Toasted Cake. Tina really nailed the narration to this, and I love every minute of it. (About 13 minutes long, for those of you who like audio fiction!)

Second (and the reason I haven’t updated much) is that in December of last year I took over as editor-in-chief of sub-Q Magazine. I’ve been a slush reader for the magazine for several years now, and have had a story published there as well, and I’m happy to take my involvement with the magazine to the next level.

If you’re unfamiliar with sub-Q, we are a pro-rate-paying magazine for short Interactive Fiction (IF). Think Zork, Adventure, Monkey Island and other classic computer-aided fictive game/stories.

Here’s a link to the sub-Q submission guidelines.

I’d love to answer any questions about the magazine or submitting to it, if anyone has any questions!

New story in IGMS and an (interactive!) reprint in Sub-Q — Also, I’m a Baen Fantasy finalist!

It’s July! And I have a few stories out or otherwise newsworthy.

First, in Intergalactic Medicine Show, my hard SF story about space elevators and the end of the world (and family, and belonging, and loss, and responsibility, and a myriad of other things), “The View from Driftwise Spindle.”

Here’s the opening paragraph:

The plural for meeting, thought Gayatri Anwar, ought to be headache. And even for a surface stint, where meetings always played a heavy role, she’d had a lot of headaches since the Martian Disaster. The announcement that a rogue planetoid had struck their sister planet, and that meteor-sized pieces of ejecta would crash into Earth in five months’ time, had everyone scrambling to get off-planet. Driftwise, as the only spindle with no ties or obligations to a particular nation, seemed to be bearing the brunt of the attention.

You can read most of the first scene (and see the glorious full-colour illustration which won’t make sense until you’ve read the full story) over at Intergalactic Medicine Show, so go check it out! There are also great original stories by Rachael K Jones, Kat Otis, Aimee Pichee, Andrew Neil Gray, and Shane Halbach, along with an essay and reprint from Kameron Hurley. (Note: the full issue is behind a paywall, but an annual subscription is only $15.)


Second, my Writers of the Future winning story “Images Across a Shattered Sea” is now available as a free-to-read piece of interactive fiction at Sub-Q Magazine. Interactive fiction is perhaps not that well-known, so if you’re confused by the word, just picture those old Chose Your Own Adventure books, but on your preferred web browser and without the ability to cheat by reading straight through. Think of it like a text-only video game combined with a short story.

If that sounds like fun, I hope you enjoy the interactive version of “Images Across a Shattered Sea.” There are several new passages in this version of the story, and a few new endings, so even if you’ve read the story before there’ll be some things that are new to you.

I also want to thank Paul Otteni for letting me use his amazing illustration of the story for the cover art of the Sub-Q version of the story. Thanks, Paul!


Last, but certainly not least, my story “Fox-Sign” is a finalist for the Baen Fantasy Adventure Award, hosted by Gen Con. The winners will be announced August 6th.